Franklin McMahon goes over Premiere Pro CS4′s lift and extract tools and compares them with some of the other methods video editors may use when editing video clips.
The new sync lock feature in Premiere Pro CS4 is a very useful tool that will maintain the relationship between clips in multiple tracks so that when you are editing you make changes to one clip, Premiere will keep your edits in place
Franklin McMahon talks about batch coding in Premiere Pro CS4 and getting the software to render video projects out to different file formats for different platforms.
Premiere Pro CS4 has made it easier to apply multiple effects to multiple clips, either by cutting and pasting attributes from one clip to another, or by creating an effects preset that can be applied to any clip with one step.
Rich Harrington talks about one his favorite new features in Premiere Pro CS4; the audio transcription options.
Adobe Media Encoder CS4 takes the place of several tools that users had to rely on for processing and compression.
Lets explore how Premiere Pro, Photoshop, and After Effects can work together to take advantage of great keying.
The advantage of this method is that a producer or production assistant can gather all of the needed names and titles into a single text file (easily created with any word processor).
How do you prep Flash Video so that its playable on the Web? You cant just throw an FLV onto the Web…