This really surprises a lot of people, but you can shoot in JPEG or TIFF modes on your camera and still use Camera Raw just like you would with any RAW photo. So I thought I’d show you how to do just that, because it’s not really obvious, and there are a couple of different ways to do it.
Improved interaction between Photoshop and Reflow will help boost your productivity by allowing users to quickly and easily generate a Reflow project from a Photoshop document. This video covers how to export fro Photoshop to Reflow, how to create a background gradient for your webpage using Reflow code rather than an image created in Photoshop, and how to use the Photoshop connect panel.
Everybody loves fireworks! Lots of us shoot them off. Even more of us set up the tripod and photograph them, hoping to capture the magnificence of the finale. For me, that last shot never measures up, so let’s create a blazing light spectacle with Camera Raw, layer masks, and blend modes in Photoshop.
In this tutorial, Daniel Bryant starts with an old photo and splits it into three layers – foreground, middle, and background. He takes these layers into After Effects and animates camera movement and focus distance to create a moving picture with dimension that wasn’t there in the original. Check it out.