Setting Your White Balance in Adobe Photoshop Camera Raw

Setting your white balance is one of the most important edits you make in Camera Raw because if you do it right, your color will be spot on, and you won’t have any color correction problems to deal with later in Photoshop.

Editing JPEGs and TIFFs in Adobe Photoshop Camera Raw

This really surprises a lot of people, but you can shoot in JPEG or TIFF modes on your camera and still use Camera Raw just like you would with any RAW photo. So I thought I’d show you how to do just that, because it’s not really obvious, and there are a couple of different ways to do it.

Using External JavaScript Libraries with Edge Animate

Animate allows users to connect directly to remote JavaScript libraries using the new Script panel. Tom Green demonstrates the basic functionality in this video tutorial.

Four Ways to Create Contrast in Adobe Photoshop Camera Raw

When we do live photo critiques at my workshops and on The Grid (my weekly podcast about photography), one of the most common problems we see in photos is that they look flat (in other words, they need contrast—like the flat-looking image you see below). You can create contrast right in Camera Raw.

Creating Form Elements in Edge Reflow

In this tutorial, Tom Green shows how to create form elements using Reflow. He uses the button panel to create and style the form elements, and then tests the functionality inside the Reflow interface.

Create a Photographic Story with Photo Books, Part 3

Now, we’re going to learn how to make the whole book-creation process much faster and easier by creating our own custom Auto Layout panel presets.

Using Masks and Tracking in Premiere Pro CC

In this tutorial, Daniel Bryant goes over some of the increased abilities of Premiere Pro when it comes to masks and tracking. In his examples, he uses Levels adjustment and blur effects on his footage and then isolates those effects using an ellipse mask. He also shows how Premiere can now track a moving subject and maintain a mask that is applied to the subject moves through the frames.

7 Steps to Getting Organized in Lightroom

The key to successfully using Lightroom is organization. By planning ahead and keeping things simple, you’ll spend less time sorting through your catalog trying to locate photos.

Creating WebPage Comps from Photoshop to Reflow

Improved interaction between Photoshop and Reflow will help boost your productivity by allowing users to quickly and easily generate a Reflow project from a Photoshop document. This video covers how to export fro Photoshop to Reflow, how to create a background gradient for your webpage using Reflow code rather than an image created in Photoshop, and how to use the Photoshop connect panel.

Easy Copying from Adobe Illustrator to Edge Animate and Reflow

The workflow from Illustrator to Edge Animate and Reflow just got much, much simpler. Before the new CC update, users had to export a .SVG file from Illustrator which could be confusing based on the setting options. Now, all they have to do is copy the drawing from Illustrator to the clipboard, and paste it into Animate and Reflow. The new updates have made this really simple.

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