Setting your white balance is one of the most important edits you make in Camera Raw because if you do it right, your color will be spot on, and you won’t have any color correction problems to deal with later in Photoshop.
In this tutorial, Daniel Bryant goes over some of the increased abilities of Premiere Pro when it comes to masks and tracking. In his examples, he uses Levels adjustment and blur effects on his footage and then isolates those effects using an ellipse mask. He also shows how Premiere can now track a moving subject and maintain a mask that is applied to the subject moves through the frames.
Improved interaction between Photoshop and Reflow will help boost your productivity by allowing users to quickly and easily generate a Reflow project from a Photoshop document. This video covers how to export fro Photoshop to Reflow, how to create a background gradient for your webpage using Reflow code rather than an image created in Photoshop, and how to use the Photoshop connect panel.
The workflow from Illustrator to Edge Animate and Reflow just got much, much simpler. Before the new CC update, users had to export a .SVG file from Illustrator which could be confusing based on the setting options. Now, all they have to do is copy the drawing from Illustrator to the clipboard, and paste it into Animate and Reflow. The new updates have made this really simple.