This is just about the hottest Photoshop portrait technique out there right now, and you see it popping up everywhere, from covers of magazines to CD covers, from print ads to Hollywood movie posters, and from editorial images to billboards. It seems right now everybody wants this effect (and you’re about to be able to deliver it in roughly 60 seconds flat using the simplified method shown here!).
You see color toning and film-look effects just about everywhere you look these days in fashion photography, and you can recreate this look using Photoshop’s built-in Color Lookup tables (they instantly remap the colors in your image to create some pretty cool color effects, inspired by the lookup tables used in movie making and video).
Lightroom’s Highlights and Shadows sliders are the sliders that I always think of as the “problem solvers.” Sometimes the problems are caused by what I did in-camera (I took a shot where I let the highlights get clipped, or I took a shot where my subject is backlit and they are pretty much a silhouette), or these problems happen in Lightroom because of other changes I’ve made with other sliders. Here, we’ll take a look at how to use these two slider to solve a problems like these.
There are many ways to remove unwanted objects in Photoshop, and the method you choose depends on the job at hand. In this tutorial, Daniel covers using the Clone Stamp, Spot Healing Brush, and Patch tools, plus Content-Aware Fill to remove logos on a skater’s shirt and helmet, as well as a distraction in the background.