Long favored by off-camera flash shooters for its ability to maintain a connection between the flash and the camera’s metering system (in many cases wirelessly), TTL allows users to create rock-solid exposures on the fly, without taking meter readings.
In this tutorial, Daniel Bryant goes over some of the increased abilities of Premiere Pro when it comes to masks and tracking. In his examples, he uses Levels adjustment and blur effects on his footage and then isolates those effects using an ellipse mask. He also shows how Premiere can now track a moving subject and maintain a mask that is applied to the subject moves through the frames.
Preflight for Print FlightCheck, now at version 7, has added InDesign CC, Illustrator CC, and Photoshop CC support. Along with CC support, like Adobe, Markzware has added a subscription model. A one-year subscription costs $199 and a three-month subscription costs $59. For those who don’t like subscription software, a perpetual license is still available for [...]
Improved interaction between Photoshop and Reflow will help boost your productivity by allowing users to quickly and easily generate a Reflow project from a Photoshop document. This video covers how to export fro Photoshop to Reflow, how to create a background gradient for your webpage using Reflow code rather than an image created in Photoshop, and how to use the Photoshop connect panel.
Updated Professional White-Balance Filter The original ExpoDisc was an aluminum filter that you could mount on a lens for taking a white-balance measurement. ExpoImaging has released a new version of the ExpoDisc that has the same accuracy, but it comes in a more lightweight and cost-effective pack-age. ExpoDisc 2.0 is a polycarbonate lens filter with [...]