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The Many Faces of Photoshop » September/October 2007
Design Makeover (pg. 16)
A Michigan landscaping company wants to turn over a "New Leaf," so three designers plant seeds and harvest a fresh look.—Jake Widman
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The Digital Camera (pg. 38)
Digital imaging allows us to have fun and be creative with our photography. But we often take the Photoshop side of digital imagining too seriously, so Rick shows us how to have fun again.—Rick Sammon
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Go Nuts in Illustrator, Render in Photoshop (pg. 34)
Transparency functions in Illustrator are a complex as they are amazing. The problem is PostScript doesn't accommodate transparency. But there's always an arbitrator of an illustration's printability, and that's Photoshop.—Deke McClelland
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Adobe Dreamweaver CS3 (pg. 74)
Spry Navigation—Janine Warner
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Adobe Flash Professional 8 (pg. 80)
Turning Animation into Code—Lee Brimelow
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Adobe After Effects CS3 (Preview)
You and Whose Army?—Steve Holmes
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You and Whose Army?—Steve Holmes
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Designing Photography Websites » July/August 2007
Design Makeover (pg. 16)
Three designers give more shelf appeal to a retail package for a manufacturer of specialty textile products.—Jake Widman
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The Digital Camera (pg. 42)
Have you ever slept on a bed made of ice? Well, neither has Rick. But he did take some pictures and he shares the Photoshop techniques he used to create some really cool images.—Rick Sammon
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Adobe Photoshop CS3 (pg. 50)
Merge-o-Mania—Sean Duggan
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Adobe Illustrator CS3 (pg. 56)
Product Boxes Made Easy—Corey Barker
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Adobe After Effects CS3 (pg. 90)
Fireball—Steve Holmes
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Creative Suite Q&A (pg. 110)
Numbering Styles—David Creamer
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The Designer's Dream - CS3 » May/June 2007
Design Makeover (pg. 20)
When a media company specializing in the publishing and marketing of electronic and printed materials needs a new logo, three designers answer the call.—Jake Widman
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The Digital Camera (pg. 46)
Rick shares a process for turning a snapshot into a more artistic image—something
that you can easily do with your photos in Photoshop.—Rick Sammon
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Adobe Illustrator CS2 (pg. 60)
Pump Up the Volume—Corey Barker
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Dreamweaver 8 (pg. 78)
A Template for Saving Time—Janine Warner
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Flash Professional 8 (pg. 84)
Dashboard Animation—Lee Brimelow
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Adobe After Effects 7 (pg. 90)
Focus on Motion—Steve Holmes
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Adobe Adobe Production Studio (pg. 94)
Manipulating Data Sets—Richard Harrington & Marcus Geduld
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100 Groovy Tips » March/April 2007
Design Makeover (pg. 24)
When a magazine for older athletes wants a fresh look, four fi nalists in the 2006 Adobe Design Achievement Awards take on the challenge. —Jake Widman
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Adobe Photoshop Lightroom (pg. 50)
Balancing Act —Peter Krogh
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Adobe Photoshop CS2 (pg. 54)
Type Casting —Seán Duggan
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Flash Professional 8 (pg. 86)
Chilling Banners—Lee Brimelow
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Adobe After Effects 7 (pg. 92)
Opposites Attract—Steve Holmes
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Finishing Touches » January/February 2007
Design Makeover (pg. 20)
When a California artist decides to revamp his website, three designers give him an online showcase worthy of his work.—Jake Widman and Linda Weber
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Going with the Flow (pg. 28)
There's much more to digital photography than just taking great photographs. Once the pictures are in the camera, you still have to get them into the computer, manipulate their metadata, edit them, and then archive them. This is otherwise known in the industry as “workfl ow." Workfl ow is simply managing digital photographs effectively and effi ciently. The best part of it is that managing all that data will never be harder than it is today. And with a little polish in all the right places, it's not very hard now.—Kevin Ames
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The Digital Camera (pg. 42)
For Rick, photography is 50% image capture and 50% digital darkroom work. He'll show you how to use Photoshop to get the picture that you envisioned when you pressed the shutter release.—Rick Sammon
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Adobe Photoshop CS2 (pg. 48)
Time to Burn—Seán Duggan
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Adobe GoLive CS2 (pg. 70)
Creating Templates—Chris Converse
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Flash Professional 8 (pg. 74)
Reflecting Flash Video—Lee Brimelow
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Adobe After Effects 7 (pg. 80)
Whose Line Is It Anyway?—Steve Holmes
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Digital D.I.Y. » November/December 2006
Design Makeover (pg. 24)
Three designers turn a pizzeria menu into a feast for the eyes.
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Moving Pictures (pg. 32)
When you think "PDF," do you think of a static, two-dimensional document with lots of boring text and images, or do you imagine a document that's full of moving pictures, virtual reality photography, flash animations, 3D art, and hot links to cool content?
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Adobe Photoshop CS2 (pg. 50)
Into the Dark
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Adobe GoLive CS2 (pg. 68)
Inline Frames
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Flash Professional 8 (pg. 72)
Flat Panel Flash
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Adobe After Effects 7 (pg. 78)
The Winds of Change
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You've Got to Move It Move It » September/October 2006
Design Makeover (pg. 24)
This writing business is all about content, now three designers give it some style.
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Adobe Illustrator CS2 (pg. 54)
Living on the Edge with Wireframes
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Adobe GoLive CS2 (pg. 68)
Liquid Design
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Flash Professional 8 (pg. 74)
Cue the Credits
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Adobe Production Studio (pg. 84)
Transitioning the Rough Cut
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Design Secrets Revealed » July/August 2006
Before & After (pg. 22)
Our eyes naturally drift left to right. A picture path picks up this natural motion and accelerates the viewer right to your message.
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Design Makeover (pg. 24)
Three designers give the cover of an indie musician's CD a new look with a splash of green.
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Three Designers and Their Dirty Little Secrets (pg. 33)
Two sample videos from Christopher Dominici.
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Fast Forward (pg. 40)
Video tutorial by Matt Kloskowski.
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Adobe Photoshop CS2 (pg. 50)
Retouching Strategies and Solutions
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Adobe GoLive CS2 (pg. 68)
Show/Hide Layers
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Flash Professional 8 (pg. 74)
Flash Flood Warning
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Adobe After Effects 7 (pg. 80)
Swing It!
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Get the Font Out » May/June 2006
Before & After (pg. 22)
Most desktop printers leave an undesignable white border, which is often irregular and differs from printer to printer. Amplify this white space and make it part of your designs.
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Design Makeover (pg. 26)
A microbrewery rethinks the presentation for one of its niche-market beers.
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Adobe Photoshop CS2 (pg. 54)
Using Duotones for better black-and-white
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Adobe GoLive CS2 (pg. 72)
Animating Layers
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Adobe After Effects 7 (pg. 80)
Time for Your Close-Up
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Rolling with the Changes » March/April 2006
Before & After (pg. 20)
With a peekaboo design, you can transform a plain sheet of paper into an engaging brochure by simply offsetting the folds.-John McWade
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Adobe Photoshop CS2 (pg. 54)
Warping and Weathering an EPS Logo-Sean Duggan
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Adobe GoLive CS2 (pg. 72)
Conquering Cascading Style Sheets, Part 3: Advanced
-Chris Converse
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Design Makeover (pg. 24)
A national nonprofit's magazine for outdoor recreation enthusiasts gets an update from three designers. Go play!-Linda Weber
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Adobe After Effects 7 (pg. 80)
Basic Parenting Skills-Steve Holmes
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Dreamweaver 8 (pg. 44)
Web developers can finally take full advantage of CSS standards.
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The Digital Workflow (pg. 52)
Performing a complex color correction on multiple areas of an image can be confusing (and time consuming).
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Hot 100 » January/February 2006
Adobe Photoshop CS2 (pg. 50)
Techniques for Multiple Image Collages
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Adobe GoLive CS2 (pg. 68)
Conquering CSS, Part 2: Intermediate
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GoLive Templates
Design Makeover (pg. 24)
Winning Designers Update a Baltimore Alternative Music Club's Logo
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Adobe After Effects 6.5 (pg. 76)
Everyone, Meet Matte
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Suite Solutions » November/December 2005
Adobe Photoshop CS2 (pg. 48)
The wonderful world of Blend Modes
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Adobe Illustrator CS2 (pg. 54)
Technical 3D illustration cutaway
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Design Makeover (pg. 24)
Designers create a distinctive sign for a Portland real estate agent
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Adobe After Effects 6.5 (pg. 70)
An exercise in Wiggle Restraint
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CS2 Plug-Ins » September/October 2005
Design Makeover (pg. 24)
Designers Help Define an Art Gallery's Identity
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It Came From Space (pg. 40)
Creating Wormholes in AE's 3D Space
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Digital Workflow (pg. 48)
Sharpening Gains a New Edge
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Adobe Photoshop CS (pg. 50)
Copying Image Elements with Vanishing Point
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Adobe Illustrator CS (pg. 56)
Lighting Effects and Opacity Masks
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Adobe After Effects 6.5 (pg. 72)
But a Layer's Just a Layer, Isn't It?
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Creating the Perfect Portfolio » July / August 2005
Before & After (pg. 22
Learn how to squeeze big information into small spaces.
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Design Makeover (pg. 24)
Three designers attempt to make the old new again when they tackle a line sheet.
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Adobe Photoshop CS (pg. 48)
Working with Smart Objects in Photoshop CS2
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Adobe Illustrator CS (pg. 54)
Live Trace and Live Paint: Line Art Will Never Be the Same
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Adobe After Effects 6.5 (pg. 70)
Give Us a Wiggle
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Suite Dreams » May / June 2005
Design Makeover (pg. 24)
Designers Craft a New Look for a Catalog
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Adobe Photoshop CS (pg. 42)
Ramping Up the Gradient Tool
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Adobe Illustrator CS (pg. 48)
When Vector Meets Photo
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Adobe After Effects 6.5 (pg. 68)
Smoking' Particle Animation!
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