Dig under the hood and, using some very interesting techniques, a whole army of moving, synchronized shapes can be created from something that seemed so harmless to begin with. This is something the manuals won’t show you.
Let’s face it: After Effects is amazing. If anyone on this planet would tell you that, it’s me. Anything you want to do, you can do-as long as you know the way to do it.
Using a combination of type, 3D layers, repetitive expressions, parenting, and masking – a very striking title sequence can be created from just a few elements.
In fact, armed with some clever techniques and careful planning, you can create very unique IDs in a very short space of time.
Using a combination of type, 3D layers, repetitive expressions, parenting, and masking, a very striking title sequence can be created from a very few elements.
One of the most common errors made by video pros and amateurs alike is an over-reliance on their computer monitors.
You see them everywherevector graphics, swirly elements drawing themselves onto the screen, and fake 3D depth with 2D layers.
Building and animating a detailed 3D environment in After Effects is one of my favorite things to incorporate into the right motion-graphics project. Adding shapes, lights, and shadows can give the scene extra depth and detail, but one of the most photo-realistic effects to aspire to is true depth-of-field.
One of the easiest ways to control the transparency of elements in After Effects is to make use of a matte; however, mattes come in various flavorstrack mattes, garbage mattes, layer blend modes, and alpha and luma mattes, among others. Using just a few of these, and some sneaky techniques, we can create a fun [...]
Create a Monty Python-style talking head in this tutorial beginning with the sound recording in Adobe Audition, moving on to the image prep in Adobe Photoshop, and ending up in good old Adobe After Effects, where a little Expression magic saves the day.